Trujillo's religious architecture, is characterized by the external simplicity of lines of its temples, although inside the same ones they are altarpieces, altars and very ostentatious pulpits; also he/she will be able to admire the beautiful squares of the School Trujillana.
Smaller Basilica - Cathedral (1647 - 1666)
In the corner of the shreds Orbegoso and Independence.
Of sober architecture, he/she stores valuable silería, as well as altarpieces of Baroque style and rococó. In their cathedral museum valiososos canvases, paintings murals, sculptures, books and an enigmatic crypt are exhibited.
Church and Monastery Carmen (1725)
In the corner of the shreds Columbus and Bolívar.
Considered the architectural most important work in the region. He/she has an impressive interior, conserving valuable altarpieces, liturgical furniture and an unique pinacoteca with squares of the school quiteña.
I Temper of Jesús (1632 - 1633) Company
In the corner of the shreds Independence and I Raddle.
He/she has an interesting harmonic architectural game of arches, vaults and domes, it works of the teacher Jesuit Diego of the Bridge.
Church San Agustín
In the corner of the shreds Bolívar and Orbegoso. It dates of the XVII century.
Artistic murals to the oil with apostles' topics in their beautiful pulpit interior and great altarpiece. An altar bigger than golden wood and a Baroque pulpit of arrogance carves.
Church San Francisco
In the corner of the shreds Martingale and Independence. It dates of the XVIII century.
Their architectural structure with ship of Latin cross; he/she has cruises and lateral chapels, covered ship for vaults vaídas has more than enough arches torales and chapel with elliptic vault. The transepto arms are of run canyon and he/she has wonderful lunetos that give him/her particular grace; in their old convent, from where san Francisco Solano predicted the earthquake of 1619, at the moment the old local of the school it works San Juan where Caesar Vallejo was professor.
Church Merced (1636)
In 5ta o'clock. it squares of the shred Pizarro.
One of the more beautiful architectural pieces of the Peruvian north constitutes. He/she has a facade of architectural superimposed orders. The paintings have passages of the san life Pedro Nolasco. In the high choir he/she is their organ of style rococo, only in the city.
Church of Sacred Domingo (1638 - 1642)
In the corner of the shreds Pizarro and Bolognesi.
They highlight their twin towers, on a wide volumetría in their design an oblong point. With remarkable altarpieces of the biggest altar and of Rosario's Virgin, as well as with a bigger crypt decorated with showy murals.
Sacred Church Ana
In the corner of the shreds Orbegoso and Zepita
It was a parish formerly for Indians, of there that it maintains a likeness with the similar temples, as those of Mansiche and Huamán.
Sacred Church Clara
In the corner of the shreds Independence and Junín.
It exhibits an external architecture of principles of the XIX century. In their interior it conserves three altarpieces and pulpits of it magnifies invoice, as well as four reliefs policromados that decorate the pechinas and canvases.
Church San Lorenzo (XVIII Century)
In the corner of the shreds Ayacucho and Columbus.
Of modest structure, as if it had been to the service of the poor classes. In their interior he/she is the altarpiece, ayor of style rococó, also a recumbent Christ of invalorable he/she bills.
Church Nativity (1710 - 1720)
In the corner of the shreds I Raddle and Ayacucho.
Antigua church of the "Sacred Heart." It covers a sculptural wonderful piece of stone of the Sacred Family.
Sacred Church Rosa (1715 - 1717)
In the corner of the shreds San Martin and you be.
It is the testimony of gratefulness to the divine don providence Francisco Cliff. In her one can observe the friezes of the old decoration and in their new interiors the stateliness of the colonial art.
Page created web March 30 of the one 2005.
© Copyright 2005 Gualberto Valderrama C.